Synth

TL;DR - The last month gave producers three things worth paying attention to. Superbooth 2026 in Berlin put neural audio processing into a hardware pedal for the first time and handed Buchla a $999 entry point. The AI music legal picture kept moving, with a fresh lawsuit against Suno and a still-pending Sony ruling expected this summer. And the tooling caught up quietly, with Ableton Live 12.4 and REAPER 7.73 shipping solid point releases. Here is what actually changed - and what is just noise. ...

A six-month review is a different beast from a release-day one. The honeymoon is over. The early enthusiasm has cooled. The features that demoed well in the showroom have either earned their place in your daily workflow or quietly been abandoned, and the features you initially overlooked have either continued to be irrelevant or become indispensable. This is a six-month review of the Yamaha Montage M, the M8X variant specifically, from the perspective of someone using it as the centrepiece of a hybrid hardware rig rather than a stage instrument or a sound-design lab. The conclusions are mine, the use case is specific, and your mileage will genuinely vary, but the patterns I have noticed are likely to repeat across other working setups. ...

If you have spent any time around electronic music in the last decade, you have probably seen the letters MPE written on the side of a controller and not thought too much about them. The acronym sounds like a feature bullet. It is not. It is a quiet but fundamental reframing of what an electronic instrument can do, and once you have spent serious time playing one, going back to a fixed-velocity keyboard feels like trading a touch screen for a number pad. ...

About iOS has quietly become one of the most interesting platforms for music making. The combination of multi-touch, low-latency audio, AUv3 plug-in hosting, and instant-on hardware means an iPad can sit somewhere between a notebook for ideas and a fully credible studio instrument. The list below is what I keep installed and reach for - synths I actually open, grooveboxes that have made it into finished tracks, and a couple of learning tools that are genuinely useful. Apps are grouped by developer so you can find related instruments quickly. Where an app is iPhone-only or particularly suited to one device, I’ve called that out. ...

In the realm of software synthesizers, few names command as much respect and anticipation as u-he. And among their legendary lineup, Zebra has always stood out as a chameleon – a semi-modular powerhouse capable of almost any sound. Now, with the long-awaited arrival of Zebra 3, the beast has truly been unleashed, promising to redefine what’s possible in digital sound design. This isn’t just an update; it’s a complete reimagining, building on the strengths of its predecessor while pushing the boundaries of flexibility, sonic fidelity, and user experience. ...

If you’ve ever compared a Behringer Model D or Poly D to a classic Moog, you might have thought: “Wait… that looks exactly like a Minimoog!” Yet somehow, Behringer isn’t breaking any laws. How does that work? The answer lies in the fascinating intersection of patents, copyright, trademarks, and trade dress - the legal forces that shape hardware synth design. Patents: The Clock Ticks Out Patents are the most obvious form of protection for inventors. They grant exclusive rights to an invention for a limited time - usually 20 years. Once a patent expires, the invention becomes public domain. ...

The Roland Jupiter‑X is one of Roland’s most ambitious synthesizers, combining classic analog-inspired tones with advanced digital synthesis and modern performance features. Designed for musicians, producers, and live performers, it offers the sonic breadth of vintage instruments while providing hands-on control and studio-ready flexibility. As of January 2026 in the UK, the Jupiter‑X typically retails around £2,155 at Andertons Music Co. A Modern Take on a Classic Lineage The Jupiter‑X isn’t a simple reissue of any single classic synth. Instead, it leverages Roland’s ZEN-Core synthesis platform to model multiple legendary instruments, including the JUPITER‑8, JUNO‑106, SH‑101, and classic drum machine sounds. This makes it a complete sound studio in a keyboard, capable of producing everything from vintage leads and pads to complex layered textures and modern synth sounds. ...

Roland Juno‑X Review: A Modern Reinterpretation of a Classic Synth The Roland Juno‑X is Roland’s contemporary take on one of the most iconic synth lines in history. Designed for musicians and producers who love the classic Juno sound but need modern reliability and flexibility, the Juno‑X blends vintage-inspired tones with hands-on control and studio-ready digital features. As of January 2026 in the UK, the Juno‑X typically retails around £1,618 at Andertons Music Co. ...

The Yamaha MODX M and Roland MC-707 make a surprisingly elegant pair when you stop thinking of them as separate instruments and start treating the MC-707 as a MIDI recorder and playback brain for the MODX. In this setup, the MODX becomes your hands and sound engine, while the MC-707 becomes the place where performances are captured, edited, looped, and arranged. It’s a simple idea, but it unlocks a very fluid, performance-first workflow. I use a closely related architecture with a Montage M instead of a MODX, which I cover in Hybrid systems: Montage + MC-707. ...

Playing by ear - discovering by accident The Joy of Surprise I don’t play the piano to master it. I play it because sometimes it surprises me. That sounds backwards, especially in a world obsessed with progress, scales, grades, and measurable improvement. But the thing that keeps pulling me back to the keys isn’t control - it’s discovery. It’s that moment when my fingers land somewhere they’ve never quite been before and something clicks. A sound appears that I didn’t plan, didn’t predict, and definitely didn’t know I knew. ...